What brings the artists together and makes this such a powerful group of people is that they are all going through the same stage of life. Others like Jude Devir have intricately drawn images, with a lot of details. Some of the art is very simple and straightforward, such as Poorly Drawn Lines. Relatability ties all these successful and popular comics together, but style and voice vary a lot from artist to artist. This art form developed and grew so much many of these popular comic strip artists have comic books and have been invited to conventions such as ComicCon. This guarantees that the audience will feel connected to the characters in the comics and continue consuming the content and supporting the artist. Comics on instagram, specifically the most popular ones, deal with themes such as daily life, common struggles and issues most people are familiar with. When reading, the audience needs to have the “me too!” feeling, the feeling of belonging and commonality. Though Instagram’s feature allowed growth and exposure for this community, the main reason it became popular was because the content of the comics resonated with the viewers. Certain comics such as Awkward Yeti and Poorly Drawn Lines still use the multiple panel comics, while others such as Pet Foolery and Sarah Graley are multiple image posts, a panel per image. The boundaries expanded allowing comics to take different shapes and gave the artists more creative freedom. There was now a new avenue for creativity within this community. Additionally, they didn’t have to deliver the punch line immediately in the first panel, making the viewer swipe to see what happened in the following panel. Posts went from one image with four panels, to a panel per image, with anywhere from 2 to 10 images per post.īecause of this multiple image feature, comic artists were able to tell longer stories in their comics. This boosted the expansion of this subculture, changing the way comics were done. This changed In February of 2017 when instagram added a new feature allowing users to post more than one image per post as well as videos. In the early stages of the community, when it was not as popular, the comics consisted of a 3-4 panel comic, posted as a single image on the platform. Instagram comics revolve around the mundane, daily life, experiences that most can relate to, seen in a new light or with a comedic twist. The comics that are posted are unlike newspaper comics, which usually have a political or religious figure at the centre of attention. If you’re ready to #LookToNorthside, you can find out about their upcoming events HERE.Culture which shifts as these comics become more influential. Northside holds numerous hiring events each month. In the winter, they have ice skating available, and there are so many things to do for the kids in the spring and summer.” Jeni’s Ice Cream is also there, along with the movie theater Regal with the reclining seats. The kids love the quesadillas at CT Taqueria, and we love stopping by Kilwins for dessert, it’s our jam!”ĭate nights: Avalon - “We love to go to Avalon. It has everything under the sun, you know, in terms of swings and climbing and jumping off things.”īest family spot: Halcyon - “ Halcyon is such a cool spot, it has a little green space for the kids to run around and play. Bridges’ guide to his Atlanta:įavorite park: Poole’s Mill Park - “It’s such a nice park. His journey at Northside is a testament to the opportunities for growth that the hospital provides and his story serves as an inspiration to those looking to build a career in the medical field. “You have to be up close and personal with strangers, people you’re helping, and family members of other people that need your help,” Bridges said.īridges’ career at Northside has provided him and his family with stability, and he hopes to continue making a positive impact on the lives of patients and employees alike.
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He was both personally and professionally frugal. Known to his friends as Eisie, Eisenstaedt was a charming man, and his diminutive 5 foot 4 inch stature created photographic opportunities for his photojournalism denied to more visible photographers. His patience was rewarded with his photograph entitled "Sailboat Near Gay Head".Īfter his death on August 24, 1995, Dirck Halstead, publisher/photojournalist/White House photographer, said "When it came to choosing the one photojournalist who leaves the greatest legacy, there was no question.that person is Alfred Eisenstaedt". His hope was to capture a sailboat "before it disappeared behind the cliffs". No amount of time seemed too long to invest for a perfect picture. One occasion, especially memorable to him, occurred in 1971 when he set his Leica on a tripod with a 400 millemeter lens. His island respites were a time of personal rejuvination as well as experimentation with lighting and other photographic techniques. After his marriage to Kathy Kaye in 1949, he never missed a summer on the Vineyard. He never tired of photographing the lovliness of the island and the uniqueness of residents and visitors, and returned as often as possible for the rest of his life. The view of the Gay Head cliffs was "so unbelievably beautiful", he said, "that it made my eyes fill with tears". His first glimpse of the island was as a passenger on Larson's powerboat as they sped from the neighboring island of Nantucket.It took his breath away. The Vinyard, as it is familiarly known to locals and vacationers, is famous for Gay Head, its colorful majestic cliffs overhanging the Vineyard Sound. and publisher of LIFE Magazine, asked him to do a story about Martha's Vineyard off the coast of Massachusetts. In 1937, only two years after his arrival in the United States, Eisenstadt was given the photographic assignment that became the love of his life. When he was asked if he was uncomfortable photographing the Nazi, he responded yes, but that he was never afraid when he was taking pictures.Īlfred Eisenstaedt in Martha's Vineyard 1957(Photograph Copyright Dirck Halstead) His Joseph Goebbles photo at the League of Nations(Copyright Eisenstaedt/LIFE) clearly displays the antagonism of his subject when Goebbles realized Eisenstaedt was Jewish. His photojournalistic skill gained him recognition throughout Europe, and in 1933 he was one of the few photographers present to photograph the meeting between Hitler and Mussolini. In 1929 he decided to make photography his career. He was a fast learner with a unique talent for candid photography. It was an adventure and I was always amazed when anything came out". ('Alfred Eisenstaedt' by Ray Zone) He commented, "Photojournalism had just started, and I knew very little about photography. He began his first free lance job in Berlin in 1928 for a company that was bought out by the Associated Press in 1931. After recuperating from his war injuries, Alfred Eisenstaedt sold his first photograph in 1927. The implied distribution of excess savings shows an ever greater concentration among relatively high-wealth households, in particular in the United States (Chart B). The analysis of the distribution of excess savings across households combines their estimated allocation across assets, discussed above, with survey information on the composition of household portfolios along the net wealth distribution. Over the past three years the stock of excess savings was increasingly concentrated among wealthy households on both sides of the Atlantic. Other financial assets are calculated as a residual and mainly refer to stocks and bonds. Non-financial assets refer to gross capital formation. Liquid financial assets refer to currency and deposits. Notes: Each entry represents the cumulated value exceeding its trend estimated between 20. Sources: Eurostat, ECB, Federal Reserve Board and ECB calculations. (deviations from the pre-pandemic trend, percentages of trend disposable income) Īllocation of cumulated excess savings across assets Liquid financial assets amounted to 18.5% of trend disposable income, while illiquid assets fell below their pre-pandemic trend by 10.6%, also reflecting a sizeable accumulation of new loans. In the United States, the composition of cumulated excess savings at the end of 2022 was remarkably different. By contrast, cumulated excess savings in the (most) liquid financial assets, such as currency and deposits, peaked at 3.7% of trend disposable income in the first quarter of 2021 and then declined significantly to 0.6% in the fourth quarter of 2022. Taken together, these forms of cumulated excess savings rose steadily to reach 10.8% of trend disposable income in the fourth quarter of 2022 (Chart A). In the euro area, between the first quarter of 2020 and the fourth quarter of 2022, excess savings were invested in non-financial assets, such as housing, and in relatively illiquid financial assets, such as stocks and bonds, and were also used to pay back loans. Empirical evidence suggests that these partial and general equilibrium effects may play out differently in the euro area and the United States.īetween 20, in the euro area, excess savings were accumulated mostly in illiquid assets, while in the United States these were largely accumulated in liquid assets. Second, the impact of excess savings on the consumption impulse also depends on broader (general equilibrium) dynamics: on the one hand, the dynamic re-distribution of the savings spent by some households to other households prolongs the duration of the consumption impulse on the other hand, the anticipation by households of this future re-distribution dampens the size of the consumption impulse, as households smooth their consumption patterns over time. First, excess savings are allocated across assets with different degrees of liquidity, which is a first (partial equilibrium) determinant of their consumption impulse. īeyond the stock of pandemic savings, the composition of these excess savings matters for two reasons. to gauge the consumption impulse in the two jurisdictions. This box estimates the composition of excess savings and then calibrates a general equilibrium model with heterogenous agents based on the methodology used by Auclert et al. Besides the size of the stock, the composition of excess savings plays a key role in determining the implied consumption impulse. Moreover, it points to a larger remaining consumption impulse in the euro area relative to the United States, where consumption has expanded by considerably more in the post-pandemic period. Taken at face value, the large stock of excess savings in both economies suggests the possibility of a substantial consumption impulse, defined as the immediate stimulus to consumption from the potential use of these savings. In the United States, the accumulated stock of excess savings reached 13.2% in the third quarter of 2021, before declining to 7.9% in the fourth quarter of 2022. Between the first quarter of 2020 and the fourth quarter of 2022, the accumulated stock of excess savings rose steadily to reach 11.3% of trend (gross) disposable income in the euro area. Published as part of the ECB Economic Bulletin, Issue 4/2023.įollowing the outbreak of the pandemic, households in the euro area and the United States accumulated a large stock of savings, in excess of the pre-pandemic trend. Prepared by Niccolò Battistini, Virginia Di Nino and Johannes Gareis Because Videohub features independent monitoring outputs, combined with HDLink allows full HD resolution monitoring for everyone. DeckLink has helped thousands of creative people edit uncompressed - now HDLink doing the same for HD monitoring.Ĭonnect to HDLink via USB for all settings, lookup table downloads, and for software updates on Mac OS X™ or Windows™ computers.īlackmagic Design’s Studio Videohub is the ideal electronic patch panel allowing all users in a workgroup to connect to each other. 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Included free, HDLink Utility lets you configure advanced features such as 2D/3D lookup tables, color settings and blue only mode. Connect HDMI televisions and video projectors for incredible cinema style monitoring that's perfect for edit suites, location shoots, client monitoring and more. Only HDlink Pro supports real time 2K playback via SDI at a massive 2048 x 1556 resolution when used with a 30 inch LCD display.Ĭonnect to a 24 inch LCD computer display for tru 1920 x 1080 HDTV monitoring, or 30 inch displays for full 2048 x 1556 2k feature film monitoring. HDLink Pro features the new 3 Gb/s SDI video connection for 4:2:2 and 2K video monitoring using a single BNC connection. High Resolution 3 Gb/s SDI Film Monitoring The included HDLink Utility software for Windows and Mac OS X allows real time colour adjustments, software updates, audio channel selections and downloading custom lookup tables. 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In your liquibase.properties file or other valid configuration location, specify the path to each secret in your vault.In AWS Secrets Manager, configure sensitive properties like your database username, password, URL, and Liquibase Pro license key as secrets.You can store any Liquibase property in AWS Secrets Manager. aws_access_key_id, aws_secret_access_key and aws_region are required. Lpm add liquibase-aws-secrets-manager SetupĬonfigure your AWS credentials in any standard method. If you use Maven, add the AWS Secrets Manager extension dependency in your pom.xml file to download the JAR: Īlternatively, you can install the AWS Secrets Manager extension with lpm ( Liquibase Package Manager). Download liquibase- aws-secrets-manager -.jar and move it to the liquibase/lib directory.Navigate to the liquibase-aws-secrets-manager extension on Maven Central.See How to Apply Your Liquibase Pro License Key If you connect to your vault using the liquibase.properties file, you can store sensitive Liquibase authentication details such as database url, username, and password attributes and your Liquibase Pro license key in your vault.įor more information, see AWS Secrets Manager documentation. You can natively read your application secrets in Liquibase with the AWS Secrets Manager extension. Kula further adds that in a recent survey of roughly 2,400 Verizon Wireless customers, 61 percent said So, while going green may not drive uptake in big ways, there isĪ measurable byproduct in regards to expense reduction that results from paperless billing’s efficiency. Verizon’s wireless segment, “has generated approximately $1 million in cost savings year to date.” Though the desire to go green may not drive paperless billing uptake in big ways, Kula points out that The secondary messaging tied to paperless billing – somewhat understatedĬompared to the sweepstakes promotion – promotes a green angle. Those who also sign up to pay their bills automatically from a bank account get a secondĮntry into the sweepstakes. The pitch is simple – customers who switch to paper free billing are entered in a sweepstakes to win Verizon has been running sweepstakes to encourage elimination of paper billing and payment methods. More interested in savings or a chance to win free services.” That, “while the ‘going green’ factor appeals to a small segment, studies have shown that customers are He says, as, “usage for mobile billing has more than doubled in the past year.” And Kula states frankly Paperless billing, “is slowly accelerating.” Promotional campaigns tend to bump it along a bit faster, Verizon, “believe the ‘green’ factor is one of them.” Kula adds that the, “pace of adoption” of Have a lower churn rate than those who do not,” and that while there are many contributing factors, He says that Verizon knows, “that customers who engage with our online and mobile properties That, “customer retention is significantly high among customers who have adopted online usage.” Online billing and payment, admits that the company has, “not done such a measurement,” but says Has measured increased customer loyalty and satisfaction among customers who have adopted Bill Kula, Director of Media Relations for Verizon Communications, when asked whether Verizon |
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